“Radio makes us feel connected and part of a community”
“We can be your two silly mates on the radio. We are all in this together and we will get through this”
Wise words from Radio 1 DJs Greg James, Scott Mills and
Chris Stark there. They’re totally right you know. I know people who simply
don’t get the point of radio and would rather just pick their own music without
having to hear a disc jockey banging on, but for those that love the medium,
streaming will never replace it. As a prolific streamer myself, I spend tonnes
of time on Spotify and Tidal, but only a certain number of hours can elapse before I
start to miss a live human voice providing context and welcoming me into their
radio community.
Streaming vs radio
As you may well know, music streaming levels have dropped
during the lockdown, whereas radio consumption is up. This is no surprise to
me. Even before this crisis, I knew simply streaming a host of recent airplay
hits simply wasn’t the same as firing up the radio for an hour or two. When
radio is at its best and the hosts are so likeable you’d choose them as
personal friends, moods can switch from bleak to jovial in a matter of seconds.
Hook-laden diversity
My station of choice is BBC Radio 1 even at the age of 37 –
I know I’m expected to have moved on to commercial radio or one of the Beeb’s
other radio platforms by now, but I love new music from a host of genres and
prefer to hear everything in the same place. Commercial radio clearly has
options for post-Radio 1 listeners, but attempt to find the station that
playlists Little Mix, CamelPhat, Doja Cat AND Fontaines D.C. and your quest will be
entirely fruitless.
A broadcasting lifeline
Radio 1 is home to a host of exceptionally personable,
knowledgeable and quick-witted hosts whose talents have proved their value
emphatically during recent weeks. With help from his charming everyman sidekick Chris Stark, the evergreen Scott Mills has been holding everything
together flawlessly like the ageless, consistently enthusiastic and eternally
25 King of Radio 1 he is during these unpredictable times, whilst fellow
ego-free presenter Greg has once again cemented his position as one of the most
likeable, down-to-earth and quick-witted radio personalities of his generation.
Is streaming a robotic experience?
Recent urgent schedule changes have expanded both
presenters’ slots and made what was great to begin with even more unmissable, refreshingly spontaneous radio delivering immeasurable comfort and warmth.
As great as services such as Spotify may seem, streaming leaves listeners with
nobody to contextualise the music, ask the listeners how they are, encourage
interaction and pass wry commentary on the very latest political, social and
cultural developments.
Emergency breakfast cover
During the past week, Scott Mills and Chris Stark - deputising for Greg on breakfast, seemingly at the last minute, have treated us to a 'can your voice get as high as Mariah Carey in 1990?' singing competition, a Peter Crouch DJ set from his kids' wendy house, highlights from Stark's much-loved early 2010s '24 Years at the Tap End' feature complete with daytime dogging references, a five-station Thursday morning singalong for key workers, Stark candidly letting us know his wife doesn't think he's as funny in real life and so much more, including several Carole Baskin namechecks, as you might expect. Also, when a DJ as warm, down-to-earth and likeable as Mills urges you to remain home and stay safe, you listen. This doesn't feel like I am listening to a pair of well-known celebrities, it feels like I am tuned into ordinary genuine caring people that just happen to be on the radio.
The nation’s flagship pop station has introduced more R1-friendly bangers dating as far back as 1990 into ordinary daytime programming to keep the listeners’ spirits up, without compromising its image as the UK’s leading new music network. Certain presenters may now be contributing from their bedrooms and the schedule may be constantly subject to change, but there’s a feeling everyone at the network has been inspired rather than demoralised by recent challenges. Radio as a whole is gloriously spontaneous, wonderfully unpredictable, obliterates loneliness and can act as an indispensable companion from birth to death.
Emergency breakfast cover
During the past week, Scott Mills and Chris Stark - deputising for Greg on breakfast, seemingly at the last minute, have treated us to a 'can your voice get as high as Mariah Carey in 1990?' singing competition, a Peter Crouch DJ set from his kids' wendy house, highlights from Stark's much-loved early 2010s '24 Years at the Tap End' feature complete with daytime dogging references, a five-station Thursday morning singalong for key workers, Stark candidly letting us know his wife doesn't think he's as funny in real life and so much more, including several Carole Baskin namechecks, as you might expect. Also, when a DJ as warm, down-to-earth and likeable as Mills urges you to remain home and stay safe, you listen. This doesn't feel like I am listening to a pair of well-known celebrities, it feels like I am tuned into ordinary genuine caring people that just happen to be on the radio.
The nation’s flagship pop station has introduced more R1-friendly bangers dating as far back as 1990 into ordinary daytime programming to keep the listeners’ spirits up, without compromising its image as the UK’s leading new music network. Certain presenters may now be contributing from their bedrooms and the schedule may be constantly subject to change, but there’s a feeling everyone at the network has been inspired rather than demoralised by recent challenges. Radio as a whole is gloriously spontaneous, wonderfully unpredictable, obliterates loneliness and can act as an indispensable companion from birth to death.
Does radio have a future?
I strongly suspect radio will never die. It enables
listeners to source charismatic long-term virtual friends within the push of a
button, allows listeners to feel part of a vibrant nationwide or even global
community and can offer the perfect soundtrack to activities ranging from home,
office and factory working to driving, shopping, exercise and household chores.
Greg and Scott’s recent shows have oozed with messages from key workers who
have credited their shows with protecting their mental well-being, and the level
of audience participation they encourage means their broadcasts will never be
dominated by ego-driven celebrities. Elsewhere, there are countless
reports of fellow BBC and commercial radio stations supercharging their game to
enhance their listeners’ psychological health at such a difficult time.
Atmosphere generation
Music streaming is not radio. Although playlists have
enormous benefits - particularly for non-radio listeners - it’s difficult to
achieve the sense of euphoria you might hope to source from a playlist without
a hugely enthusiastic, knowledgeable and charismatic presenter generating an intoxicating
vibe, making you feel like you’re their sole listener whilst simultaneously
placing you in a vibrant community of loyal radio lovers who share your
passions.
A lifelong relationship
Radio adds magic to commutes, can guide you through even the
most trying of days and can provide an indispensable further push when it seems
there’s nothing left to give. It can keep you wholly up-to-date with social,
political and cultural affairs as they happen, introduce you to down-to-earth
broadcasting heroes you’ll follow for decades and breathe new life into even
the most overplayed songs around. A 2011 study by the Media and The Mood of the
Nation found that radio boosted happiness levels by 100% and energy levels by a
spectacular 300%, and there are very few reasons to question this claim. As a
self-employed home worker with a huge dependence on virtual company, there’s
little chance of me switching off any time soon.
A really well written and reflective piece, Dave! Well done xx
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